“All Roads Lead To Rome?” (Copyright 2015 All Rights Reserved)

“All Roads Lead to Rome?” [UNFINISHED] (11.21.16)

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PART I

FADE IN:

WIDE ANGLE AERIAL SHOT OF ROME.

ZOOM IN TO SEE A MAN AND WOMAN HOLDING HANDS AS THEY CROSS THE STREET ARRIVING AT THE COLOSSEUM IN ROME. THE VIBRANT 50 SOMETHING COUPLE ARE SOAKING WET FROM THE RAIN THAT’S BEEN DELUGING THE CITY FOR HOURS. THEY SEEM TO NOT NOTICE OR CARE.

BEA: You can’t imagine how many times I’ve dreamed of spending a day with a man like you in a place like this.”

DANTE: “Then I’m making your dreams come true… We’ve just begun.”

DANTE TURNS AND WAVES FOR A TAXI AND ONE PULLS OVER AND THEY JUMP INTO THE BACK SEAT. DANTE TELLS THE DRIVER AN ADDRESS IN ITALIAN. BEA’S EYES ARE CLOSED AS SHE SLUMPS DOWN IN THE SEAT, EXHAUSTED FROM THE DAYS ACTIVITIES. DANTE SLUMPS DOWN IN HIS SEAT TO ARRIVE AT HER CHEEK WITH HIS LIPS AND BRUSHES HER CHEEK WITH HIS LIPS WITHOUT MAKING ANY SOUND. BEA FAINTLY SIGHS WHICH EXCITES DANTE AND HE MOVES TOWARDS HER MOUTH. SOON THEY EMBRACE WITH THE MOISTURE OF THEIR SALIVA MINGLING WITH THE RAIN DRAINING FROM THEIR WET HAIR INTO THEIR MOUTHS.

MOMENTS LATER THE TAXI ARRIVES AT THE ADDRESS WHICH IS ON THE SAME STREET AS THE COLOSSEUM JUST BLOCKS AWAY FROM WHERE THEY GOT INTO THE CAB. DANTE THROWS TOO MUCH MONEY ON THE FRONT SEAT AND GRABS BEA’S HAND TO HELP HER OUT OF THE CAB. HE USHERS HER INTO A DOOR-WAY WHERE NO DOOR SHOULD BE AS THE BUILDING SEEMS A PART OF THE HISTORICAL LANDSCAPE, BUT HE KNOWS WHERE THE HIDDEN KEYPAD IS AND THE CODE AND THE ALMOST INVISIBLE DOOR OPENS AND HE PULLS HER INSIDE AND ESCORTS HER TO A GRAND BATHROOM AND SAYS:

DANTE: Take a nice hot bath then shower. (Pointing) There’s clothes in the closet off the bathroom.

DANTE LEAVES AND BEA STARTS THE WATER AND WANDERS AROUND THE PALATIAL ROOMS OFF THE BATHROOM. SHE CHOOSES A VIBRANT COPPER COLORED SILK SHIRT AND BLACK WOOL SKIRT, WHILE SHE WAITS FOR THE TUB TO FILL.

DANTE STANDS IN HIS ELEGANT STUDY HOLDING A PHONE AND SAYS:

DANTE: No, I can’t go to the gala… I’ve met an amazing woman… we’re staying in… and what if I don’t… I thought you were going… why didn’t you tell me he’s selling the EGG!… I’ll be there!

DANTE HANGS UP THE PHONE AND SMILES AND GOES INTO THE KITCHEN TO GET A GLASS OF WINE THEN WALKS TO THE BATHROOM AND KNOCKS ON THE BATHROOM DOOR.

DANTE: Bea, darling there’s been a change in plans. Please pick out a ball-gown from the closet when you’re done, we’re going to a gala in an hour. I’m going to shower and dress and I’ll be back for you in 40 minutes.

DANTE AND BEA WALK INTO AN ELEGANT AND ENORMOUS BALLROOM FILLED WITH THE JET-SETTING GLITTERATI OF ROME. THERE’S AN AUCTION OF A PRIVATE COLLECTION OF TREASURES — SCULPTURES, PAINTINGS, TRINKETS AND JEWELRY – FROM THE PRIVATE COLLECTION OF PEDRO ARUPE, THE RICHEST MAN IN SPAIN. GUESTS BID FOR THE PRICELESS OBJECTS.

BEA: I’m going to find the ladies room. Do you want another drink?”

DANTE: “No darling. Tell me, do you like that Faberge egg made of rubies and pink diamonds just to the right of the stage?”

BEA: (jokingly) “Yes, it’s lovely but I don’t have room in my flat for such trinkets. (She smiles). I’ll be back soon.”

AS BEA MAKES HER WAY UP A GRAND STAIRCASE TO THE SECOND STORY, SHE’S LOOKING BACK AT DANTE KEEPING HER HAND IN FRONT OF HER ON THE RAILING AS SHE MOVES UP THE STAIRCASE TO ENSURE SHE DOESN’T FALL WHILE NOT LOOKING WHERE SHE’S GOING. SUDDENLY HER HAND LANDS ON A MAN’S HAND. SHE SLOWLY TURNS TO SEE THE FACE OF THE MAN IN FRONT OF HER AND IT’S PEDRO ARUPE. SHE DOESN’T KNOW WHO HE IS, NEVER HAVING SEEN OR HEARD OF HIM, BUT HE’S IMMEDIATELY INFATUATED WITH HER AND HER BEAUTY.

PEDRO: “Good evening my dear, are you here to bid on my treasures?”

BEA: “Me…no. I’m here with a man I just met today (she turns and points to Dante).”

PEDRO: “Yes, I know Dante very well. He’s my protege and has been for many years. How did you two meet?”

BEA: “We both got into a cab at the same time at the Vatican this afternoon.”

PEDRO: “I see. Will you both join me after the auction at my villa?”

BEA: “Well, I don’t know…”

PEDRO: “I insist.”

BEA: “Well, if Dante agrees. Perhaps you could speak to him?”

BEA GENTLY PULLS HER HAND AWAY FROM PEDRO, SMILING SWEETLY AS SHE HEADS TO ONE WING OF THE SECOND FLOOR. PEDRO MAKES A GRAND ENTRANCE AND THE CROWD CLAPS AS HE ENTERS. BEA DOES NOT SEE NOR HEAR THE SCENE.

AS BEA LEAVES THE LADIES ROOM WE HEAR THE CROWD MAKING STRANGE NOISES AS IF SOMETHING EXCITING HAS HAPPENED. WE SEE PEDRO HOLDING THE PINK AND RED FABERGE EGG AS HE DISCUSSES IT’S HISTORY. THEN HE SAYS WHILE HOLDING THE EGG UP FOR EVERYONE TO SEE:

PEDRO: “I’m aware that several of you came here to bid on my prize possession but I must now tell you that the egg has already been sold… (the crowd moans) It was to the highest bidder imaginable and I’m pleased to introduce you all to my new friend Bea (he points to her standing at the railing on the second floor watching the scene). Bea has paid with the coin of the realm which none of you are in possession: the key to my heart.”

ALL EYES TURN TO BEA AND RUMORS BEGIN TO FLY. DANTE THROWS A LOOK OF CURIOSITY AND ANGER AT PEDRO; BEA LOOKS LIKE A DEER IN HEADLIGHTS. PEDRO IS LOVING THE DISAPPOINTMENT THAT HE’S CAUSED – AN EVENT THAT ROME WILL BE BUZZING ABOUT FOR WEEKS.

A WIDE ANGLE SHOT OF PEDRO’S MAGNIFICENT APARTMENT WHICH OVERLOOKS THE VATICAN. THE TONES ARE DEEP AND MASCULINE WITH A SPECTACULAR VIEW OF THE ENTIRE CITY. PEDRO, BEA AND DANTE ARE IN THE LIBRARY LOOKING AT AN ANCIENT MANUSCRIPT WEARING GLOVES. THEY TAKE OFF THEIR GLOVES AND WALK TOGETHER INTO AN ADJOINING HALLWAY.

PEDRO: (to Dante while walking) “How high were you planning to bid to get the egg?”

DANTE: “Higher than the competition, you know I’ve wanted it for decades.”

BEA: “Interrupting… I’ve been meaning to ask you Pedro… um…”

PEDRO: (kindly but insistently) “Later darling.”

DANTE: “That was quite a stunt, my friend.”

PEDRO: “No stunt, it was just a I said.”

PEDRO WALKS PAST DANTE WHO STOPS TO TURN AND LOOK AT PEDRO TO SEE IF HE’S JOKING, BUT PEDRO DOES NOT LET DANTE SEE HIS FACE. BEA STOPS AND IS IN DEEP THOUGHT TRYING TO UNDERSTAND WHAT’S GOING ON.

LATER THAT NIGHT AT BEA’S FLAT, DANTE AND BEA KISS AND THEN BEA SHUTS THE DOOR AS HE WALKS AWAY. SHE BLOWS HIM A KISS THEN WALKS UP THE STAIRS AND INTO THE LIVING ROOM WHERE SHE’S SHOCKED TO SEE PEDRO’S FABERGE EGG IN THE MIDDLE OF THE ROOM RESTING ON A GRAND PEDESTAL WITH LIGHTS SHINING ON IT FROM ALL SIDES. SHE SITS DOWN STARES AT IT FOR A TIME. BEA’S PHONE RINGS AND SHE ANSWERS:

BEA: (Quietly) “Hello?”

PEDRO: “How do you like it?”

BEA: “It’s magnificent but…”

PEDRO: “Which color’s your favorite?”

BEA: “The pink, but Pedro, this flat’s not secure…It’s dangerous to leave it here…”

PEDRO: “The safety of my prized possessions is something you need not worry about, darling.”

THROUGH THE WINDOW WE ZOOM TO SEE A SNIPER ON THE ROOF OF THE BUILDING ACROSS FROM BEA’S FLAT. FROM AN AREAL ANGLE NOW WE SEE SEVERAL BLACK CLAD, ARMED GUARDS ON THE ROOF OF BEA’S FLAT.

BEA: “You said possessions – plural. Did you leave some other valuable object in this flat?”

PEDRO: “I did. I must beg your pardon, Bea, the hour is late and I must say goodnight now. It was delightful meeting you today and I’m sure one day we’ll look back on our meeting as a turning point in our lives. Goodnight.”

PEDRO HANGS UP THE PHONE AND BEA STARES INTO HER PHONE IN DISBELIEF. SHE GETS UP AND STARTS LIFTING OBJECTS TO SEE IF THERE IS SOME OTHER IRREPLACEBLE TREASURE IN HER FLAT.

THE NEXT DAY PEDRO AND DANTE SIT TOGETHER IN WHAT LOOKS LIKE A WAR ROOM WORKING WITH A NUMBER OF OTHER MEN – ALL OF THEM WEARING BLACK. THEY ARE DISCUSSING A PROBLEM AND THERE’S TENSION BETWEEN PEDRO AND DANTE. DANTE ACTS CERTAIN AS HE SAYS:

DANTE: “We’ve dealt with them before and we know what to expect, Pedro.”

PEDRO: “True, but now the old man’s gone and we don’t know how his son will behave.”

DANTE: “He would not deviate from our long set patterns and trade deals… Why would he?”

PEDRO: “To find out if he can get better terms, of course.”

DANTE: “Your saying that he’s going to break our deal.”

PEDRO: “I’m saying he might.”

DANTE: “Then we need intel.”

PEDRO: “Agreed.

DANTE: What do you suggest?”

PEDRO: “I suggest you follow him to Malta and find out if he intends to renege.”

DANTE: “I’ll leave tomorrow night. I want to see Bea for lunch and then I’ll have the boys take me to the island.”

PEDRO: “Call Juan as soon at you have an answer.”

THE NEXT AFTERNOON DANTE AND BEA ARE DINING ALONE IN AN EXQUISIT ROOM OVERLOOKING THE COLOSEUM.

BEA: Mmmm… This fish is amazing! How’s yours?”

DANTE: “Good. Listen, I have to go on a short trip tonight but I should be back in a few days or so.”

BEA: “Where are you going?”

DANTE: “A colleague’s behaving suspiciously and I have to find out if he intends to renege on our deal.”

BEA: “Come back soon.”

THEY SMILE AND HE TAKES HER HAND IN HIS AND KISSES IT.

THAT EVENING AT BEA’S FLAT, PEDRO KNOCKS AT THE DOOR. SHE GOES TO OPEN IT.

BEA: “Pedro! I’m pleased to see you. Come in and look at your your lovely egg!”

PEDRO: “Along with my heart, it’s your egg now darling.”

BEA SMILES BUT CLEARLY DOES NOT TAKE HIS STATEMENT SERIOUSLY. SHE TAKES HIS HAND AND LEADS HIM INTO THE DARK ROOM WHERE THE EGG IS SPOT-LIT. WHEN THEY GET NEAR THE EGG HE TAKES HER HAND AND RAISES IT TO HIS MOUTH AND KISSES IT.

BEA: (gently pulling her hand away) “I’ve been meaning to ask you…”

PEDRO: “Of course but please… a glass of wine as I sit and enjoy the egg for a few minutes first.”

BEA GESTURES AGREEMENT AND GOES TO GET TWO GLASSES AND WINE AND RETURNS AND GIVES A GLASS TO PEDRO AND POURS. SHE GESTURES FOR HIM TO SIT DOWN AND SHE SITS ACROSS FROM HIM AND THEY BOTH SIP WINE IN THE DARK ROOM WHILE LOOKING AT THE EGG.

CLOSE UP OF THE EGG AND IN V.O. WE HEAR PEDRO SAY:

PEDRO: (Quietly, slowly) “All my life I’ve collected the most beautiful objects I could find… and all my life I’ve been seeking a woman who has the integrity and inner beauty of an object like this egg.”

BEA: “I know how you feel. I’ve been looking for a mate for a long time too.”

PEDRO: “What kind of man have you been seeking?”

BEA: “A kind man… A brilliant man… A happy man… What kind of woman have you been seeking Pedro?”

PEDRO: “A woman just like you Bea.”

BEA IS SURPRISED AND TAKES A LARGE DRINK OF WINE, STANDS UP AND WALKS TO THE WINDOW AND LOOKS OUT AT THE CITY AND QUIETLY SAYS:

BEA: “You said you’re Dante’s mentor.”

PEDRO: “Yes.”

BEA: “Tell me about Dante.”

PEDRO: (Quietly) “Dante has many virtues… he’s brilliant… he’s determined to get what he’s after…
he’s ruthless…

BEA: “What’s he after?”

PEDRO: “That’s an excellent question, Bea. I want you to remember that question as in a very short time it will become the most important issue in your life.”

BEA: “Do you care for Dante?”

PEDRO: “Like a son.”

BEA: “Of course, you realize he’s very interested in me?”

PEDRO: “Yes, of course I do.”

BEA: “Does Dante care for you?”

PEDRO: “More than anyone else on Earth.”

BEA: “And yet… I believe you are… you are…

PEDRO: “Yes darling I am.”

PEDRO STANDS AND PUTS HIS GLASS DOWN AND WALKS OVER TO BEA. HE STANDS NEXT TO HER LOOKING OUT AT THE CITY THROUGH THE WINDOW AND TAKES HER HAND AND SAYS:

PEDRO: “I’ll call for you at noon tomorrow. Goodnight darling.”

HE KISSES HER HAND AND LEAVES.

PART II

MORE COMING SOON…

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